Inside the Secret Mountain
The power beneath your feet wants to jump, hiss and move around,
on the red vast plains of the floodout on the Rebecca sand.
A whispered connection to a distant place,
where the sister God shares a loaded embrace.
The plants feel it in their thirsty roots
that tickle the snake on his underground cahoots.
This way or that way I'll never know for sure,
for the map of millenniums is held behind a lifetimes door.
The secrets of the mountain and of the valley nooks,
are woven through an ancient cloth of invisible books.
The land rolls beneath the southern stars and day,
while the cross rolls over to mark the changes on the way.
For time to pass and the songs to shine a path,
and people to walk close to the secret mountain pass.
Camped on a clay pan on Hamilton Station. The manager, Phantom, his wife, Allison, and young daughter, Amber, were coming for dinner as our hosts. We’ve met the Phantom before. He has always proved to be a gentleman, if not a bit of a rough diamond. A raconteur of sorts, who entertains our groups regularly with a mix of coarse language, humour, and unique observations on life.
Phantom arrive for our Thai feast, and eased himself into a cold beer and a yarn. Now it should be noted that the Phantom was drinking light beers.
During a blokey moment, the men drifted to Phantom’s ute, and after examining his rifle and .22 magnum pistol, we talked motor bikes and camel hunting. “This is a knife,” says the Phantom as he proudly shows us his camel knife, and forged from a car spring. He uses it to remove the fatty humps from the camels, saving his butcher’s knives.
Around this time our Thai friends, after some persuasion, ply Phantom with a Bundy, and start him on a dangerous course.
Over the next hour or two, the three of them consumed a bottle of Bundy, and a bottle of Thai “whiskey” made from rice. They were full.
Phantom sang us Three Blind Mice in Pitjanjatara. Very amusing. He then asked “Spanish”, one of our Thai ex-pats from Spain, to sing Three Blind Mice in Spanish. Spanish said he didn’t know it, and after pleading and cajoling for some time, we believed him.
Phantom was getting agitated, and disappeared for a minute, only to return with his pistol. He was convinced that Spanish was a terrorist because he didn’t know Three Blind Mice in his native tongue. He demanded that Spanish sing, or he would shoot him. He put the pistol on his head, cocked the hammer and asked again. Spanish didn’t know the song. Phantom held his pistol up and let a round off, put the pistol back on the Spaniard and demanded again.
Allison, the English rose and Phantom’s wife, awoke from her swag, walked across to her husband, and disarmed him.
Total eclipse of the moon. The shadow of the earth first touched the moon with red at about 10.00pm. Slowly the magic light filled the moon from the bottom, turning it into a three-dimensional ball of rock hanging in the night sky. As the light faded, the starts shone, and the sky came alive. Alive like a giant 3-D spider web bedecked with dew jewels, scattered beyond what the human eye can see. The forces of push and pull that keep it all together, keep it all apart, are vibrating with energy. As the moon ball kisses the earth’s shadow, I feel the cosmic tide pulling on my body. The weight of the universe sits on my eyeballs, and I feel lighter than moonbeams.
Camping in the Coolibahs
It’s dawn time down the floodplain
On the lower Cooper Creek
The mist stirs on the waterhole
As the Coolibahs sway and creak.
Like a green and ragged thread
That holds the fragile land
The markers of the sometimes flood
That seeps into the sand.
Where the budgies weave their magic
Among the boughs and leaves
A chattering cloud of colour
That plays among the trees.
They tell us tales of travellers
Who camped beneath their leaves
All the characters of the myths
That feed our modern dreams
The poets told the stories
Of how the dying stockman lay
And how the swagman boiled his billy
In the cool of the Coolibah shade.
How the men of far horizons
And the dying and the lost
All blazed their mark upon the trees
As a message on a post.
So now on your evening walk
Along the Coolibah shore
Think of the countless wanderers
Who have rested there before.
The Dierri and the Wongaroo (Wangkanguru)
The parched and desperate drover
All those who sought the shelter
Of the Coolibah standing over.
For now all is soft and pretty
The waterhole is fair
But imagine the searing heat of summer
When it burns to breathe the air.
"Words are clumsy pretenders of the images of my mind."
As a practicing artist I have travelled far and wide across Australia, walked on country, camped on country and rolled out my swag. I thank the custodians and I acknowledge the traditional owners of country throughout Australia and their continuing connection to land, culture and community. I pay my respect to Elders past and present.